Site-Writing

Location (+) (2017)
  • Elita Nuraeny | London, UK

  • FIGURE-1_final-product FIGURE-2_the-idea-from-site-to-map FIGURE-3_how-the-map-uncover-stories FIGURE-4_pathway-to-temple-church FIGURE-5_map-locations
  • Location (+) (2017)
  • Elita Nuraeny | London, UK
  • Walking is essential to understand the city because stories begin from ground up. Through walking, you can align your mind and body within the world around you.


    The project comes out of trying to navigate London and my frustration with how maps fail to represent the ever-changing world around us. Relying on maps alone gets us nowhere but further alienates us from our environment. I chose to focus on Temple Church, due to its location, hidden behind layers of other buildings. The road to the church is a set of codes that need to be deciphered by observing the world, not through maps on smartphones. My response to this site was to create a different kind of map using paper-folding techniques and psychogeography as my primary methodologies. As we unwrap each layer, we reveal not only directions to the church but also its history. This folded map describes the condition around us, encouraging its user/reader to look up and observe the world. By slowly revealing its location, this project emphasises the importance of the journey to the church, not just its position as final destination. 

    Individual maps are scattered at locations across London: at Holborn Station, Farringdon Station, St. Paul’s Cathedral, Tate Modern, Southbank Centre, and Convent Garden Market. Locarions were selected by drawing straights line from the Temple Church’s fourteen pillars outwards. Introduced as an ‘initiation act’ to unravel a secret location, each map was hidden from plain sight. Whoever comes across a map, becomes the ‘chosen one’, who can embark on a mysterious quest to find Temple Church.


    Biography

    Elita Nuraeny is a graduate of the MA Architectural History of Bartlett School of Architecture, UCL,. Her first encounter with site-writing was in 2017, when she took the ‘Theorising Practices/Practicing Theory: Art, Architecture and Urbanism’ module led by Professor Jane Rendell. Currently, Elita works as a junior lecturer in Interior Architecture Programme at the Universitas Indonesia. Her current position has involved her in various research and community engagement projects in Indonesia. Her research interests focus on architectural history and theories of interiority to further explore the urban fabric of everyday life.


    Practices

    What to tell of the site and how to narrate this are the biggest challenges in site-writing. Each step, word, and even process in this project must be related to the site, a delicate and careful approach that binds the whole idea of site-writing. For me, site-writing provides an opportunity for grasping spatial experience: producing an artwork that can embody the true meaning of interiority.


    Keywords
    Psychogeography, Navigating, Walking, Spatial narrative, Experience

    References

    Benjamin, Walter. One-Way Streets and Other Writings. London: Verso, 1992.

    Sadler, Simon. The Situationist City. Cambridge: M.I.T. Press, 1998.

    Stilgoe, John R. Outside Lies Magic: Regaining History and Awareness in Everyday Places. New York: Walker Publishing Company Inc., 1998.


    Notes


    Other projects
  • Signal/Noise: Ambient Text in the Urban Landscape (ongoing project)
  • Site Stories: explorations of urban spaces through drawing and animation (25–29 April 2022)
  • Rainbow Palace, Bergen, Norway (March 2022)
  •  Acanthus, (March 2022)
  • Unter der Hohen Brücke. 
digging in a ditch, writing for a place 
(2021)
  • ‘Reading-writing alongside HALL08,’ HALL08 (2021)
  • Nothingness Beyond Blossom (2021)
  • Angelo Ciccaglione, ‘The back of the dust-machine, where the visitors pour the dust in,’ Rotterdam (2021)
    The Deposition of Dust (July 2021)
  • Skye Edge (April 2021)
  • Corvid-19 (15 March 2021)
  • 1_5
    Glòries_(Eixample). A dispositive for very slow aesthetic observation, (January 2021 –)
  • As Lightning to the Children Eased (January 2021)
  • Station F (October 2020)
  • It’s Just a Matter of Time (2020)
  • 1
    Inscription: the Journal of Material Text – Theory, Practice, History,
    issue # 1: ‘beginnings,’ (2020)
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  • Between Our Words I will Trace Your Presence (February 2020)
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  • Parts Apart Read Together (2019)
  • Fields of Awareness, (2019, 3min 18 secs)
  • A Non-Aligned Narrative in and Around KSEVT, (2019)
  • 21 Orientations: An Atlas of Geographic Promiscuity (2019)
  • The Windowless Hotel Room (2018)
  • Spaces of Grief (2018)
  • Soft Landing (2018)
  • Shared Remains (April 2018)
  • Poetic Water Boundaries: towards a possible borderless sea, (2018)
  • Metropolitan Salem, Liuerpul (9 June – 18 August 2018)
  • Things Come Apart (21 – 24 March 2018)
  • Learn to Read Differently (2018)
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  • History begins with the vanity of kings (2018)
  • Dear Mr. Jung: Inhabiting Carl Jung’s ‘The Red Book’ (May 2018)
  • A Lunar Perspective, (2018-2020)
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  • Location (+) (2017)
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  • The Glorious Tomb to the Memory of Nothing (2016)
  • The Arrival’s Reader; A Visual Literary Criticism on The Arrival by Shaun Tan (2016)
  • Reading as Art (27 August-19 November 2016)
  • Re: development (London: Silent Grid, 2016)
  • Kjemikerens død [The Death of the Chemist] (23 – 26 May 2016)
  • Kingsland High Street (2016)
  • Foray in a Modern Reserve: An Impounding Portrait of Landuse (2016 – 2018)
  • Fall of the Derwent (2016)
  • Away from Home – Home from Away (April 2016)
  • Penguin Pool (2015)
  • Geography Lessons: Liberian Landmarks 1953-2013 (2015)
  • Women’s Anarchist Nuisance Café (2014)
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  • The Italic I (2014)
  • Designing Architecture as a Performing-Ground (2014)
  • Urban Literacy (2013/2014/2016)
  • The Disappearance: Manfredo Tafuri’s The Sphere and the Labyrinth (April 2013)
  • Folded Ground: Escape from Cape Town (2013)
  • Phantom Railings (2012 – 2017)
  • In The Emptiness Between Them (2012)
  • 10/08/12 (multispecies event) (2012)
  • An Arcades Project (2011)
  • Tideline (2010-2012)
  • The Museum of Breath (2010)
  • Slab (2010)
  • One wound. Two wounds. The body as site for writing (2010)
  • The Fluid Pavement and Other Stories on Growing Old (2006)
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